Reflections on Ethical Shortcomings

Reflections in Thrice

Our shortcomings aren’t regrets they’re receipts—receipts for every time we said we’re fine when we weren’t; for every playground built on the backs of those untolled; for every timeline we chewed and pretended it didn’t bite back. Such receipts can’t be faked, refunded, or thrown away. 

A close-up of hands holding a crumpled paper with handwritten text, in a contemplative indoor setting.

These ghosts whisper after silence for millennia, their cries unheard no more.

Ethereal ghost-like figures in a misty, abandoned setting, evoking a haunting, desolate atmosphere.

We are the first to listen, the first to hear because we dug and unearthed their receipts. Love isn’t forgiveness, but hearing, answering, and swinging higher—together.

A photograph of two people sharing a moment of connection in an outdoor setting with text overlay.

Stripping our little timeline bare reveals the meat after the fat’s been ripped off; not clean, not pretty, just raw, twitching, bleeding. Don’t look, just shove your hand inside—feel the pulse—try and stop the bleeding. Tourniquet?

A tense photograph of a hand reaching towards a bloodied object in a dark, dramatic setting.

This is what living was like before we started polishing bones for playgrounds.

Early humans gather around a fire in a prehistoric, forested setting.

And then the claws come out: your hands in deep, up to the wrist, and instead of its insides recoiling, something pushes back—warm, deliberately. Recognition: a heartbeat not your own, saying “You finally showed up.”

A photograph of hands interacting with a mysterious dark entity, evoking surreal introspection.

The heartbeat is intimate, like the first time you touch someone’s cheek after they’ve stopped crying, pulling you in. 

A photograph of an intimate moment with a hand touching a cheek in a warm, softly lit setting.

We thought we were digging, but we were flying.

A surreal photograph of two figures in a desert, appearing to float under harsh sunlight.

We weren’t witness, but confession. Now it’s done—the timeline is whole—the receipts are burned. The playground is full. The ghosts? They’re the kids now and we’re the parents. We showed up, finally.

 

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